Co-sign Lyrics by Dizzee Rascal is a latest English song in the voice of Dizzee Rascal. Its music too is composed by singer while brand new Co-sign song lyrics are also written by Dizzee Rascal. This is a popular song among the people of United States of America. In Co-sign, Dizzee Rascal lays down a fiery, unapologetic anthem about his journey, dominance, and contributions to UK grime and rap. He rejects needing validation from sponsors or co-signs, confidently asserting his legacy and self-made success. Reflecting on his influence, he calls out mediocrity in the scene, critiques industry politics, and emphasizes his impact on taking UK music global. With sharp wordplay and relentless energy, Dizzee reinforces his position as a pioneer, reminding everyone of his achievements while challenging detractors to respect his grind and artistry. It’s bold, reflective, and packed with grit.
Co-sign Lyrics
It’s show-it’s-it’s showtime
I don’t need a sponsor or a co-sign
I ain’t got to say my name, you know mine
I don’t borrow bars, I got my own lines and my own rhymes but you can hold mine
But you ain’t going to act like I’m an old timer in decline since ’09
You ain’t going to treat me like I owe grime
Whilst crying, saying you miss the old grime
1999, you didn’t know grime, I was making grime and getting no shine
Everybody said they stand on business, till they run their mouth and get a clothes line
Budgets getting cut, labels shutting down all the black stuff like the coal mines
And that’s a cold line for you slow minds
Either you’re with me or against me
Either you love me or resent me
Is it a Rolls, is it a Bentley?
Why am I shallow and so empty?
I don’t need the P, I got plenty
But if you give me the P, it might tempt me
You can’t make this up, this ain’t Fenty
You can’t make this up, this ain’t make believe
I don’t over do it, I just over achieve and you better believe
I took UK music overseas in ’03
Oh please, it ain’t complex
I don’t need Complex to put it in context
I’m one, two, three, four, five and six
Better wash your mouth and dirty lips
I’m the god-damn reason you can even sit
All gassed up like that, talking s*it
And you could have quit or at least admit
I was out here working, doing bits
Had a hold of the UK throwing fits
I got MOBOs, Ivor Mercury and a BRIT
Got a BET and that ain’t even it
Got a bunch of plaques and a bunch of hits
And I put us on main stage
We ain’t even on the same page
We ain’t the same age
I don’t really want to engage
Or do they really want to see me get enraged?
Why you care so much what the States think?
I only care what the estates think
I was gripping on ends with bait licks
And ends ain’t never been the same since
And the game stinks ’cause you get excited about mediocre stuff
Maybe it’s because you ain’t old enough
Maybe you should listen to some older stuff
Maybe I’m just getting old and over stuff
Plus-plus-plus I’m old enough
To remember, radio picked them man there over us
Not trying to blow my own trumpet
Not one bit, I’d rather beat my own drum kit
That’s the fun bit, plus I made the beat
I don’t run my mouth, I just run s*it
I ain’t losing sleep over dumb s*it
Or I deal with pricks who never done s*it
I’m so far ahead before they even started, I was done with it
Let’s face the facts
Let’s forget the stats
Let’s forget the plaques
Let’s forget the tape packs with Wiley Kat, Raskit, back to back
If I ain’t the Godfather, I must be God
There’s nothing wrong with that
If you say I’m not, then you can keep your God
What kind of God is that?
You can’t polish crap, but you can thank God for putting us on the map
And that’s big chat
Call it blasphemy but don’t call it cap
Done a lot for grime, I done a lot for rap
I’m a happy chap, not a fanny flap
I’ll spark ’em out before I hold a slap
Back to Wiley Kat, I take off my hat
From the council flats
When you best the scene, you can’t cancel that
But when you over-chat, they over react
Now let me shut my trap
Yeah, right
My bars are hard and they’re tight
I ain’t hating, I just don’t see the hype
I’m like Stevie Wonder trying to ride a bike
I’m like Stevie Wonder trying to fly a kite on a cloudy night
No, I’m really like black dynamite, playing Iron Mic
We’re the same blood type, but ain’t alike
Now, get it right
Dizzee Rascal Songs
Co-sign Lyrics Meaning
[Paragraph 1: Setting the Stage]
Dizzee Rascal kicks off the song with a bold declaration of independence. He doesn’t need sponsorships or co-signs to validate his worth in the music industry. His reputation speaks for itself, and he’s proud of crafting his own lines and rhymes rather than relying on others’ work. He calls out those who doubt his relevance, emphasizing that he’s been a major figure in grime since its early days in 1999, long before it gained mainstream attention. The mention of budget cuts and labels shutting down “black stuff” hints at systemic challenges faced by artists in the genre.
[Paragraph 2: Drawing Lines in the Sand]
In the next section, Dizzee highlights his uncompromising nature—you’re either with him or against him. He questions shallow judgments based on material success while admitting that financial offers can still be tempting. He reminds listeners of his groundbreaking impact, taking UK music overseas as early as 2003. Dizzee mocks critics who underestimate him, emphasizing that his work ethic and accomplishments speak louder than any detractor’s words. His accolades—MOBOs, BRITs, and even a BET award—are proof of his significant contributions.
[Paragraph 3: Addressing Industry Dynamics]
Dizzee shifts to discussing his role in elevating grime to the main stage, a feat that sets him apart from his peers. He distances himself from younger generations obsessed with American validation, stating that his focus has always been on the “estates” (local communities). The line about “ends” not being the same since he came up reflects the transformative impact he’s had on his home turf. Dizzee critiques the industry’s mediocrity, calling out younger audiences for not appreciating the genre’s roots and expressing some frustration about how his contributions are overlooked.
[Paragraph 4: Reflecting on Legacy]
This verse is a deep dive into Dizzee’s legacy. He dismisses meaningless accolades and focuses on the real work he’s put into grime and rap. The references to his early collaborations, like with Wiley Kat, nod to his grassroots beginnings. He unapologetically stakes his claim as either the “Godfather” of grime or a god-like figure in the genre, challenging anyone who denies his influence. Dizzee thanks God for helping him put grime on the map, blending gratitude with a strong assertion of his role in the genre’s rise.
[Paragraph 5: Confidence and Criticism]
In this final segment, Dizzee delivers a mix of humor, confidence, and critique. Comparing himself to Stevie Wonder in unlikely scenarios adds a playful touch while underscoring how different he is from others in the game. He notes that while he shares the same “blood type” as other artists, they’re not alike in ambition, skill, or impact. The closing lines affirm his dominance, urging listeners to recognize his contributions accurately and give him the respect he deserves.
[Conclusion]
“Co-sign” is Dizzee Rascal’s unapologetic reflection on his career, impact, and the state of the music industry. Through confident, sharp lyrics, he reclaims his narrative, reminding fans and critics alike of his self-made success and transformative influence on grime. From addressing systemic struggles to calling out mediocrity, Dizzee stays true to his roots while affirming his position as a pioneer. The song is a mix of gratitude, critique, and triumph, wrapped in a relentless, no-holds-barred delivery.
FAQs
Q. Who has sung Co-sign song?
A. Co-sign song is sung by Dizzee Rascal.
Q. Who wrote Co-sign lyrics?
A. Co-sign lyrics are penned by Dizzee Rascal.
Q. Who has given the music of Co-sign song?
A. Co-sign music is composed and produced by Dizzee Rascal.
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