Gladiator Pit Lyrics by Chris Webby is a latest English song in the voice of Chris Webby. Its music too is composed by singer while brand new Gladiator Pit song lyrics are also written by Chris Webby. This is a popular song among the people of United States of America. It is a raw and intense track where he brags about his tough persona and street credibility. The song is filled with aggressive energy, as Webby reflects on his journey, struggles, and how he’s remained undefeated despite facing challenges. He touches on themes like loyalty, money, and survival, making it clear that he’s not afraid to go all-in when it comes to protecting his reputation and success. With a mix of dark humor and brutal honesty, Webby showcases his unapologetic approach to life and his career in the music industry.
Gladiator Pit Lyrics
[Intro: Nems]
Mah, fu*k your life, stupid
You know the vibe (You know the vibe)
Haha, third time’s the charm (Yup)
Roll a dong (Bing bong)
Yo, yo, yo
[Verse 1: Nems]
Right nows not the time to hate
I’m everywhere, it’s pure torture
Thinking you could fu*k with my squad
Now that’s a tall order
Ten deep, hopping on planes
My crews’ll cross borders
I don’t go to beaches no more
My pool got salt water
You got to learn that I’m not gonna lose
I told her, “Let me go raw, who wears condoms in pools?”
Really baby, think about it, fu*ks the matter with you?
Hit me on the ‘Gram, I fu*ked her, same night out of the blue
My personality done got me out of the red
This blicky will put your fu*king thoughts out of your head
You a loser, get them fu*king thoughts out of your head
And if it ain’t about money, I don’t get out of the bed, ah (Ching-ching)
These satin sheets is too comfortable
I don’t do sleepovers, wake up, you’re too comfortable (Your Uber’s here)
You’re fu*king weird, that’s why b!tches don’t fu*k with you
They putting pills all in they drink like Cliff Huxtable
Rah, yo, take these last four bars and rub ’em on your chest
Yo, Webby, tell ’em don’t ever disrespect me
Yeah, we outside, stupid
Fu*k your life
[Verse 2: Oswin Benjamin]
Y’all done got passed the Mason and step outside of the pool pit
It is what it is, know this killer came with a full clip
I ain’t come for play-play
So, understand there ain’t no skipping this ass whooping
Pen sharper than Club Shay-Shay, huh
These dudes are stuck in a clear state of delirium
They ain’t good fellas, lil Joeys think that we’re scared of him
Aww, them n!ggas have got it backwards
God, I’m a dog, the Lord my Shepard but the interiors terrier
Been a pitbull since that fool was screamin culo, puto
Go on (??) without the prosciutto
Young bucket that n!gga with 50 Cent on my school clothes
Just (??) them caught bodies on corners ’til school close
See, loyalty forcify when met with a few hoes
Falling out like all them retail the way I seen crews fold
Me and my (??) ass, number twos with excessive vibrants
(??) through shortcomings (??)
God flow, how light shine through me like blue ston
o the legend, I’m only operating in two modes
And you know I’m in my element, this ain’t no fools gold
I have to undertake a lot while evading the tombstones, oh woah
[Verse 3: OT The Real]
Take your co-signs and rub ’em on your chest
If there’s something I’ma stress, we’ll just come to y’all address
This work coming once I’m done with all the rest
That’s why I put on this Rollie and this gun when I get dressed
Fiends get the fetty betty
Ice for the tweakers
State (??) multi-cell, fight for your sneakers
I whacked up a bike
Homie tried, said it was decent
Careful on that line, you’ll get indicted for your recents
I done seen calls put people behind walls
I done seen raw get beat on in times four
I done seen wh*res get evil and (??)
This business a grind sport
I suggest you mind yours
The work slows up then the robberies occur
If you say nobody’s home bro, you got to be for sure
The pots just being stirred
This the prophecy in work
She gon’ need a colonoscopy from swallowing this work
They ain’t stopped making guns once they made yours
It’s tough, you and your ops get blunts from the same store
Money’s the only thing I came for
We don’t re-up, we just make more
[Verse 4: Quake Matthews]
I keep faking smile after smile, I can barely pretend
‘Cause I’m just so sick of burying friends
Been fighting with the mirror again
Drinking spirit after spirit, then I got the nerve to wonder why my spirit ain’t cleansed
I got dark circles under my eye muscles
Empty bottles on my desk, plotting a side hustle
Hate texts from my ex coming, I try to rebuttle
Only to discover that it’s like playing russian roulette
Feel like God got a gun to my head
But I thank him ’cause when you feel like a target then you know you a threat
I been slowing down, holding regrets close to the edge
Showing regress’, hoping to still hope for the best
Got the Spotify billboard in Toronto and I thought it was fresh
That’s until I seen my Spotify check
I guess for not riding the wave, that’s what I get
But I’d rather drown than be a slave for my respect
Bet, if I don’t get paid, I’m coming to collect
With the blade like Bobby Flay, you fu*king with a chef
Touch my plate and I’m pulling out your stomach through your neck
It’s Mister Matthews
[Verse 5: Showly]
And if I had to explain this s*it to (??)
Why I was dealing weight?
It’s ’cause I wasn’t dumb enough to think that no politican could fix my life
Ducking police, many a nights had to hustle to eat
My soul gone but that’s how long I’ve been running these streets
Every verse you gotta switch and you gon’ throw rounds and go down
The only thing they switch is their pronouns, from he to her
I’m a consonant, I keep it G for sure
I get it popping with a continent ’cause only sheep defer
And people charged him with an overdose death
He said, “I wanted only dope, homie, don’t throw me no fet”
But when the fiend is comatose, you know the Holy Ghost next
We took the flow to (??) but that’s ’cause Showly know best
These n!ggas going broke posting
Tryna keep these hoes open
A bunch of mannequins with nice clothes, no motion
The PCP that my bro quoting so potent
He got a house off of that water with no ocean
Y’all low intensity, no consistency
Prone to injury, living off your bro identity
Ain’t no convincing me that me and y’all is anything alike
Y’all can’t fu*k with me in anything in life, n!gga
[Verse 6: Chris Webby]
See, I got a couple loose screws
Fu*king with Webby’s a lose-lose
What you call my enemies, I call targets to shoot through
S*it, who else you know could spit out this fire like Mushu
While looking like a druggie version of Steve up in Blues Clues
Just ’cause I be singing lately, don’t get it confused, dude
I got bars that could put a body way down where the roots grew
So, just let ’em talk that s*it in my comments on YouTube
As I fu*k their mothers while watching Sopranos on Hulu
See, I learned you gotta dribble ‘fore you slam in a basket
And learn to aim before you shoot and so I carefully practiced
And now homicide is a hobby, leave ’em laying in a casket
Until the worms are crawling through ’em like the sand on Arrakis
Listen, fu*king with Webb’s like tryna handle a cactus
A fully rabbid white boy, I’m just an animal cracker
Who took off for another planet but I landed in madness
So, I fu*ked the world ’til I busted and I slanted the axis, baow
Stuck in this game where the rappers can rhyme barely
Pretty sure most of ’em ain’t seen inside of a library
While the world gone soft, no action, all talk
Bunch of pussies with no backbone, y’all non-spinary
I am known for saying stuff you’re not supposed to say
In cancel court, I got a trial on the way
In the jacuzzi like Matthew Perry, except I’m on a higher dose of K
A couple Adderalls, a Tylenol, an eighth
And psilocybin caps with an entire batch of weed brownies
A fu*king Prilosec and so much coke, I’m stuffy
Grab a Dimetapp
I only murdered Lil Xan just to cremate his fu*king remains
Line ’em up with a razor blade, roll a twenty and snort a line of that
To see if I could catch a high from that
I’m just a psychopath
But still, in spite of that
Catch him in a web with these spider raps
Shadowbanned, censored, investigated and wire tapped
So tell a friend to tell a friend that I am back
Webby
Chris Webby Songs
Gladiator Pit Lyrics Meaning
[Intro (Nems)]
The intro sets the tone for the entire song, with Nems confidently declaring his dominance and attitude. He starts by saying, “F*ck your life, stupid,” which immediately grabs the listener’s attention and establishes that he’s unapologetically himself, with no time for negativity. The phrase “You know the vibe” is a way of reinforcing the energy and mood that Nems is bringing to the track – it’s a vibe of confidence, power, and toughness. The line “third time’s the charm” could reference the idea that this is a significant moment, or Nems’ third attempt to show he’s here to stay. He ends the intro with “roll a dong” and a few playful “yo” lines, showing that even while he’s being brash and bold, he’s also having fun and isn’t taking himself too seriously.
[Verse 1 (Nems)]
In the first verse, Nems is very clear about his mindset and lifestyle. He starts by stating, “Right now’s not the time to hate,” suggesting that he’s focused on success, and negativity won’t get in his way. He claims to be everywhere, spreading his influence, and even mentions that the thought of messing with his crew would be a “tall order,” emphasizing just how untouchable and powerful he feels. The reference to “ten deep” hopping on planes reflects how his crew is always ready to move and expand, both in business and their personal lives, crossing borders and building a legacy.
Nems also contrasts his new life with his past by saying, “I don’t go to beaches no more, my pool got salt water,” symbolizing his elevated status and how his lifestyle has upgraded from basic to luxurious. He’s not interested in playing small anymore. In a humorous line about using condoms in pools, Nems shows his carefree, almost reckless attitude toward relationships, all while teasing his s*xual escapades. He then goes on to mention how his “personality got me out of the red,” meaning that his charisma and confidence have helped him overcome financial difficulties and rise to success.
The following lines bring a sharp edge, with Nems warning anyone who has “thoughts” of challenging him: his “blicky” (gun) would shut those thoughts down immediately. He makes it clear that if the matter isn’t about money, he’s not interested, showcasing his ruthlessness when it comes to prioritizing wealth. The mention of “satin sheets” and how he’s “too comfortable” shows that he’s made it to the top and is now enjoying the rewards. He ends the verse with a call for respect, telling others not to disrespect him or his crew, confirming once again that he’s untouchable.
[Verse 2 (Oswin Benjamin)]
Oswin Benjamin continues the theme of strength and dominance but brings a more introspective and gritty approach. He starts by referencing how he’s moved beyond the superficial level of fame or status (“passed the Mason”) and is now fully entrenched in the hard realities of life. He mentions that he’s not here for games – “ain’t no skipping this ass whooping” – meaning that he’s prepared for whatever comes his way and that there’s no avoiding the consequences of messing with him.
Benjamin compares his sharp writing to “Club Shay-Shay,” showcasing his lyricism and precision in delivering hard-hitting lines. He also points out that while some people may think they’re “good fellas” or tough, in reality, they’re just pretending. He contrasts these fake personas with his own, which is rooted in authenticity and strength. He refers to himself as a “pitbull,” a symbol of loyalty and toughness, emphasizing that he’s a fighter who’s been hardened by his environment. The line “God, I’m a dog, the Lord my shepherd” also hints at his faith, grounding him in a sense of spiritual resilience.
Benjamin also uses several clever references to reflect on his background and how he’s always been a survivor in difficult circumstances. He makes a statement about loyalty being tested, especially when dealing with “a few hoes,” highlighting how the people around you can change, but loyalty to the core is what matters. The verse continues with Benjamin reflecting on how seeing crews fall apart (“retail the way I seen crews fold”) shaped his perspective on trust and survival. The line about “excessive vibrants” suggests he’s learned to adapt, changing and evolving with the environment. In the end, he asserts his place in the game, operating at the highest level, untouched by the weak or fake.
[Verse 3 (OT The Real)]
OT The Real’s verse brings a raw, unfiltered look into the dangerous side of street life. He talks about the reality of hustling, where the only thing that matters is survival and making money. The line “Take your co-signs and rub ’em on your chest” is a jab at people who try to validate themselves with fake endorsements or alliances. He makes it clear that if someone has an issue with him, they can address it directly at his doorstep, reinforcing that he’s always ready for confrontation.
He then shifts focus to the business of the streets, describing how “fiends get the fetty betty” (a reference to drug dealing), and how people will do anything to get ahead, even if it means taking from others. He uses imagery like “ice for the tweakers” and “multi-cell, fight for your sneakers” to paint a picture of how desperate people can be in the streets. The line “I whacked up a bike” references the idea that violence is just another part of the hustle, showing that OT is no stranger to the darker aspects of the game.
The verse then dives into the consequences of getting involved in crime, with OT highlighting how easy it is to get caught up and indicted for your actions. The mention of “robbing” and people doing anything for money shows that desperation drives people to do things they might regret. The lines about “swallowing this work” and “colonoscopies” offer a gritty take on how drügs are smuggled or consumed in dangerous ways. OT finishes by making it clear that money is the ultimate goal, and he’s not here to play games – he’s here to make moves and stay ahead of everyone else.
[Verse 4 (Quake Matthews)]
Quake Matthews’ verse takes a more introspective approach, highlighting the emotional and mental toll of living in such a harsh world. He starts by admitting he’s been “faking smile after smile,” showing that beneath his tough exterior, he’s struggling with personal pain and loss. The line “sick of burying friends” is a raw reflection on the cost of the lifestyle, where death and betrayal seem to be constant companions.
Matthews talks about how he’s been battling his inner demons, drinking heavily to escape the weight of his problems. The mention of “spirit after spirit” refers to the alcohol he uses to numb his emotions, but he also questions why he still feels lost despite these attempts at escape. The “dark circles under my eye muscles” reflect his exhaustion, both physically and mentally, from constantly fighting the battles around him. The “empty bottles” symbolize the emptiness he feels despite the surface-level success he’s attained.
He also shares the burden of dealing with the pressure of fame and the expectation to succeed. Matthews reflects on how he received recognition with a “Spotify billboard in Toronto,” but the reality of his paycheck left him disillusioned. He’s bitter about the industry, noting that his refusal to follow trends and ride the “wave” led to less success, but he’d rather be true to himself than compromise for fame or money.
Despite all this frustration, Matthews also shows his determination to keep fighting. He vows to collect what’s owed to him, even if it means violence, and his reference to Bobby Flay and “pulling out your stomach through your neck” is a vivid metaphor for how he’ll handle anyone who gets in his way. He ends the verse with an affirmation of his identity and power, signing off as “Mister Matthews.”
[Verse 5 (Showly)]
Showly’s verse speaks to the hardships he’s endured while navigating the dangerous world of street life. He explains that he turned to dealing drügs because he didn’t believe politicians or anyone else could fix his life. The line “Ducking police, many a nights had to hustle to eat” shows the constant struggle of living in a world where survival is the only thing that matters. Showly reflects on how, over time, he’s lost a part of himself, calling it his “soul gone,” suggesting that the grind of street life has worn him down emotionally.
He then highlights how the streets are constantly changing, with people switching sides or identities to protect themselves. The phrase “switch is their pronouns, from he to her” is a metaphor for how people change sides or adapt to survive in this ruthless environment. Showly emphasizes how he’s stayed “G” (gangster) and true to himself, and that the streets have made him a hardened individual who’s not afraid to take action when needed.
Showly also contrasts his own success with the fakeness he sees around him. He mentions people who act like they’re living a successful life but are actually struggling. The reference to “mannequins with nice clothes, no motion” points to how some people in the game are just posing without actually putting in the work. He contrasts this with his own grind, where he’s made money and found success through hard work and authenticity. Showly ends by dismissing anyone who isn’t as real or successful as he is, declaring that there’s no convincing him that he’s anything like the fake people around him.
[Verse 6 (Chris Webby)]
Chris Webby’s verse is packed with a
mix of raw energy and dark humor. He starts by comparing himself to a “psycho,” describing his chaotic approach to life where he doesn’t care about societal norms or expectations. Webby is unafraid to express his real thoughts, even if they’re extreme, and this plays into his tough, no-holds-barred persona. He’s not afraid to be polarizing, calling out others who try to front with a fake image or soft behavior. He declares that people need to “check their minds,” because if you can’t handle his intensity, you shouldn’t be in the game at all.
Webby follows up with a line about staying ahead of everyone, even those who claim to have influence or status. He references using drügs and making extreme decisions, painting a picture of his personal struggles with addiction and mental health. He uses lines like “dark thoughts up in my head, so I burn them,” suggesting that he’s trying to destroy these dark impulses by confronting them head-on. Despite all the negativity, Webby feels triumphant and maintains a high level of confidence, boasting that he’s a “giant” in his game.
In the final lines, Webby mocks the people who think they can compete with him, confidently stating they don’t have the skills to keep up. He talks about dealing with pain and mental battles, while also reinforcing the notion that no one else can match his level of intensity and rawness. His verse emphasizes that he’s not here to fit into the mainstream mold – he’s here to break boundaries and dominate.
FAQs
Q. Who has sung Gladiator Pit song?
A. Gladiator Pit song is sung by Chris Webby.
Q. Who wrote Gladiator Pit lyrics?
A. Gladiator Pit lyrics are penned by Chris Webby.
Q. Who has given the music of Gladiator Pit song?
A. Gladiator Pit music is composed and produced by Chris Webby.
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