Rien ne se remplace Lyrics Ganlyrics

Rien ne se remplace Lyrics by Ziak is a latest French song in the voice of Ziak. Its music too is composed by singer while brand new Rien Ne Se Remplace song lyrics are also written by Ziak. This is a popular song among the people of United States of America. It is a raw and intense track where the artist reflects on the tough, often gritty realities of street life. He talks about the struggle, his hustle, and the loyalty within his circle. Ziak describes his journey with gritty street imagery, emphasizing resilience and survival. He speaks on the importance of loyalty, the harshness of his environment, and the changes he’s witnessed. The chorus, “nothing replaces, everything transforms,” highlights the constant evolution and adaptation to life’s challenges. It’s a track about endurance, toughness, and staying true to oneself amid difficult circumstances.

[Intro : Kaaris & Ziak]
Ris-Kaa, 2.7
9.1, 93
S.E, pute
S.E, pute
Ziak

[Couplet 1 : Ziak]
J’suis un garçon d’café, j’aime la castagne, les ambiances macabres au travail
Kipsta, j’s’rais jamais en costard, Pigalle, j’prends douze barres avec un flash
Abdou’ sort tout juste du card-pla, il met trois cents balles dans une chicha
Tu prends leur rime pour des faits, tu t’ficha, moi, les caméras, j’les kiffe pas

P’tit bandeur, la cité t’embrasse, p’tite chienne, t’aboies quand les gitans passent (Ouh)
Hagra, c’que leur met en clash, j’étais là dehors, j’m’endormais en classe
L’ancien, il me parle même plus en briques mais en battes
Les keufs m’ont serré, j’ai fais plat’ et c’lui qu’est v’nu m’chercher, c’est Mat’

[Refrain : Kaaris & Ziak]
On dirait que rien n’se remplace (2.7), tout se transforme (S.E)
Ça m’avançait sur les plaques (Oh, oh), j’dormais sur un matelas sans lattes (Pute)
Définition de s’en battre, si je traîne en bas du bât’, c’est mon bât’ (Eh, gang)
Définition de s’en battre, si je traîne en bas du bât’, c’est mon bât’

[Couplet 2 : Kaaris]
On dirait qu’rien n’se remplace, sauf ta paire de sses-f’ si elle est plate
J’suis en guerre comme à Kattegat, j’prends en levrette, tes implants éclatent
Pull-up le Audi Sport noir mat, j’transpire pas, jamais les mains moites
Il m’faut juste une crosse adéquate, j’te jure qu’tu seras moins sûr de oi-t
Tu peux chercher parmi nous, y a qu’des couilles, y a pas d’minou
On sait qu’tu vas faire le fou (Hey, hey, hey, hey) jusqu’au jour où on va t’tordre le cou
J’roule un pétou, j’tire une taff, dans le crâne, c’est Call Of: Warfare
Parole, parole de Ouest af’, j’vais jamais t’laisser ma part
Baiser, découper, compter, planquer, on a tout faire dans l’appart’
Dans l’rap, j’ai ramené l’changement, tu tétais les seins de ta maman
Posté devant un bâtiment, que pour plata, on a des sentiments
Posté devant un bâtiment, que pour plata, on a des sentiments (2.7)

[Refrain : Kaaris & Ziak]
On dirait que rien n’se remplace (‘place, ‘place), tout se transforme (S.E)
Ça m’avançait sur les plaques, j’dormais sur un matelas sans lattes (Pute)
Définition de s’en battre, si je traîne en bas du bât’, c’est mon bât’ (Eh, gang)
Définition de s’en battre, si je traîne en bas du bât’, c’est mon bât’

[Couplet 3 : Ziak]
On dirait que rien n’se remplace (‘place, ‘place), tout se transforme, ça m’avançait sur les plaques (‘forme)
Me prend plus jamais pour une blague, c’est ma life, fu*k les claps et les hats
J’sais pas qui a compté les talles, c’est ma part que t’as entre les pattes
On va pas s’embrouiller pour une chay, rappelle-toi nos tapes à Châtelet Les Halles
Empiler les (??) en fin d’semaine, c’est comme ça qu’j’ai appris les maths
Malgré le pacte, il va fait des moves de pute, tant pis, j’zappe
J’ai noirci le papier dans l’appart à peine vivable
La commande arrive pile-poil avant la nationale, tout l’monde est façonnable

[Refrain : Kaaris & Ziak]
On dirait que rien n’se remplace (‘place), tout se transforme (‘forme)
Ça m’avançait sur les plaques, j’dormais sur un matelas sans lattes (Gang, gang, gang, gang)
Définition de s’en battre, si je traîne en bas du bât’, c’est mon bât’
Définition de s’en battre, si je traîne en bas du bât’, c’est mon bât’ (Kaaris)
On dirait que rien n’se remplace (Place), tout se transforme (Forme)
Ça m’avançait sur les plaques, j’dormais sur un matelas sans lattes (Gang, gang, gang, gang)
Définition de s’en battre, si je traîne en bas du bât’, c’est mon bât’ (2.7)
Définition de s’en battre, si je traîne en bas du bât’, c’est mon bât’ (Kaaris)

Rien ne se remplace Lyrics Meaning

[Intro: Kaaris & Ziak]
In the intro, Kaaris and Ziak reference places and areas, including “Ris-Kaa, 2.7” and “9.1, 93”, which are locations significant to their lives. They mention “S.E” and “pute” as slang terms, setting the tone for a raw, gritty track that reflects their environment. The repetition of these phrases establishes a tough, street-smart persona, and it’s clear from the start that this song is about survival, loyalty, and raw energy from their neighborhood.

[Couplet 1: Ziak]
In the first verse, Ziak shares vivid imagery of his life and struggles. He describes himself as a tough character, working in hard environments, with a love for rough scenes. He contrasts his humble background with the flashy lifestyle of others around him. The mention of “Abdou’” and “Pigalle” signals interactions with people from his circle. Ziak’s discomfort with cameras and the way people view street life shows his dislike for the way others romanticize it. He recalls moments of rebellion, conflict, and encounters with the police. Throughout, he reflects on how his life on the streets shaped his mindset, and how he finds connection and trust in those who have endured similar struggles. The verse conveys his discomfort with pretense and his need for authenticity in tough situations.

[Refrain: Kaaris & Ziak]
The refrain is a reflection on how everything changes but nothing truly replaces what’s been lost or gone through. “Rien ne se remplace” implies that certain experiences or emotions can’t be substituted, no matter how much things evolve. Ziak talks about living on the edge, facing hardship without comfort, symbolized by sleeping on a mattress without slats. The repetition of “c’est mon bât’” (it’s my building) suggests that Ziak feels a deep sense of ownership and loyalty to his roots, even in the face of hardship.

[Couplet 2: Kaaris]
In this second verse, Kaaris reflects on his survival instincts and aggression. He talks about his toughness and readiness for conflict, comparing it to being at war. He mentions how his persona is hardened, showing no fear and staying cool under pressure, even in dangerous situations. His lines about war and aggression also reflect his approach to the streets—always alert, never letting his guard down. He hints at betrayal and violence, with a clear warning that anyone underestimating him will regret it. The verse also touches on his loyalty to his crew, with a focus on not sharing what’s his, no matter the circumstances. It’s about maintaining control, making money, and dealing with both the risks and rewards of life in the streets. Kaaris expresses disdain for pretension, focusing instead on loyalty and his own rules of survival.

[Refrain: Kaaris & Ziak]
In this refrain, the repetitive nature highlights the ongoing struggles and transformations Ziak faces. He emphasizes that no matter how much he changes or the situation transforms, certain things, like loyalty to his roots and his need to survive, will always remain constant. The harsh imagery of sleeping on a broken mattress is a metaphor for how uncomfortable and unpredictable life can be, but he faces it head-on, embracing the chaos rather than running from it. His resilience and defiance are at the core of this message, indicating that nothing can replace the hardships and lessons learned from the streets.

[Couplet 3: Ziak]
In this third verse, Ziak shifts the focus to a more personal struggle. He talks about the need to take things seriously, rejecting being taken for a fool. Ziak describes how street life taught him hard lessons, particularly in terms of survival and finances. He references dealing with shady deals and situations, where loyalty is tested. Despite the difficulties, he keeps moving forward, ignoring distractions and staying focused on what truly matters to him. The line about writing on paper in a barely livable apartment points to the grind, the daily hustle that’s far from glamorous. Ziak’s words show how survival is about making moves, staying smart, and never letting the pressures of life in the streets break him down.

[Refrain: Kaaris & Ziak]
This final refrain wraps up the song’s central theme: transformation, survival, and staying true to oneself despite external pressures. Ziak reinforces that while everything around him may change, the essence of his struggle remains the same. The chorus also touches on how the streets, despite their challenges, offer a sense of belonging and identity. The repeated line “c’est mon bât’” signifies that Ziak is unyielding in his loyalty to his roots, and no matter what, he’s standing firm in his beliefs and struggles. Through repetition, the refrain becomes a mantra of resilience and ownership in a constantly shifting world.