Campanello Lyrics – Nerissima Serpe Ganlyrics

Campanello Lyrics Meaning

[Intro]
The intro is short but sets a lively tone, with a playful, energetic rhythm. The sounds like “drin, drin” (the sound of a doorbell) and “Lascia, Fritu, my sh’” hint at something happening, with the artists introducing themselves and adding to the vibe of the song. It creates anticipation for the fast-paced, chaotic journey ahead.

[Ritornello]
In the chorus, the artists showcase their flashy, rebellious lifestyle. They talk about holding cash, carrying drügs, and sporting gold teeth, all symbols of wealth and power. The phrase “la bamba sopra al pandoro” refers to having coc*ine on top of a traditional Italian dessert, turning something innocent into something dangerous. Milan is described as a place where everything feels too small for their larger-than-life presence. The doorbell ringing symbolizes constant movement and action in their world, with deliveries and arrivals being a normal part of their day. The mention of making coffee, playing cards, and friends cooking shows their laid-back moments amidst the chaos, emphasizing their carefree attitude despite the dangerous world they navigate.

[Strofa 1]
In this verse, the artists describe their sense of power and dominance. They compare themselves to a “Visa” card, implying they’re always “on the go” and able to make things happen effortlessly. They boast about having control over their lives, saying they can crush others like ants when they want. They admit to always being high, with no anxiety because they keep doubling their drug intake to stay high. They’re not bothered by the smallness of Milan, and they see themselves as the top of the food chain. The verse paints a picture of an extravagant life full of women, money, and reckless behavior. They describe themselves as always in control, examining the people around them, and taking pride in their sharpness. The reference to “croci, sampietrini e cattedrali” (crosses, cobblestones, and cathedrals) points to their deep connection to the culture and history of Italy, but also shows that they live outside the norms. The mention of “killing with words” instead of weapons adds to the dangerous aura of their persona.

[Ritornello]
The chorus is repeated to reinforce the themes of excess and indulgence. The artists continue to highlight their wealth, lifestyle, and the chaos of their world. They emphasize the speed and ease with which they make money, with “ventiquattr’ore” (24 hours) suggesting they are always hustling. The doorbell ringing and the constant delivery of things symbolize the rapid pace of their lives, always receiving and spending, always moving. The playful references to coffee and cards continue the casual yet dangerous tone of their world.

[Strofa 2]
Guè’s verse continues the theme of dominance, with him boasting about making big moves effortlessly. He refers to making numbers and deals like making phone calls, showing how smooth and quick his business transactions are. He emphasizes his acceptance of diversity, but he does so in a tongue-in-cheek way, poking fun at certain preferences while still conveying confidence in his ability to dominate any situation. His comment about “scalda il piatto, G is in the house” (warm the plate, G is in the house) adds to the casual yet confident vibe. He mentions his wealth, comparing his “chubby” bank account to his physical strength, showing that both his finances and presence are dominant. The “friends bringing packages like the Three Kings” refers to his well-connected crew, handling large operations. The phrase “no free lunch” reflects the idea that everything in his world has a price, and there’s no room for kindness or generosity without something in return.

[Ritornello]
The chorus is repeated again, emphasizing the themes of wealth, drügs, and indulgence. The artists’ attitude remains playful yet assertive, as they continue to reinforce the idea of their lifestyle as a constant cycle of receiving, spending, and enjoying the fruits of their dangerous lifestyle. The repetition highlights the song’s energetic, rebellious mood.

[Strofa 3]
Rasty Kilo’s verse focuses on his friend who lives recklessly, using drügs and staying awake without understanding the consequences. This highlights the destructive side of their lifestyle, where even friends can’t escape the chaos. He contrasts this by talking about himself, who stays “fresh” and in control, but still living in the same wild world. He mentions food and preparation as metaphors for control, with “roccia grossa come un uovo sodo” (a rock as big as a hard-boiled egg) symbolizing his tough, no-nonsense approach. He dismisses those around him, calling them copies of him but lacking the authenticity or “credibility” that he holds. He mocks the use of weapons, saying their calibers are too small to be real threats, while he himself deals with bigger things, such as “AK bullets” and “crocodile teeth,” hinting at both real and metaphorical power. The mention of luxury cars and champagne continues the theme of excess, showing that even in his dangerous world, he maintains a sense of grandeur and dominance.

[Ritornello]
The final chorus repeats, drawing everything back together. The emphasis on fast money, drügs, and a life lived at full speed encapsulates the essence of the song. The artists remain defiant, confident, and in control of their world, even as they indulge in its chaos. The repetition of the chorus reinforces the idea that this lifestyle is not just a one-time thing but a constant state of being.