SOY UN BAD BOY Lyrics Ganlyrics

[Intro: Luar La L & El Alfa]
Tú sabe’ quiene’ somo’, baby (¿Qué?)
Tre’ Letra’
Dieciocho año’ controlando, voy de robo
Tú ‘ta claro que dando cotorra soy un bobo
No me mire’ mucho que en la cara te la sobo
Te la apliqué y te robé lo’ truco’ de consumo

[Coro: El Alfa]
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy

Pa’ la’ mala’-mala’-mala’ (Yeah, yeah, yo’)

[Pre-Coro: El Alfa]
Lo’ tigere’ pa’l caribe y la’ mujere’ al ginecólogo
Lo’ grito’ se escuchan má’ duro que lo’ musicológo’
Que nadie publique lo’ video’ a donde estoy
Pa’ que no llegue el DICRIM y se lleve lo’ bad boy’

[Coro: El Alfa]
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy
Pa’ la’ mala’-mala’-mala’-mala’ (Yeah, yeah, yo’)
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy
Pa’ la’ mala’-mala’-mala’ (A ti se-, a ti se-, a ti se-)

[Verso 1: El Alfa]
¿A ti se te olvidó to’ lo’ mensaje’ que mandaste?
Pusiste tu boca en el DM y me lo mamaste
Tú tira’ pa’lante a tu papá y tu mamá
Tú hace’ lo que sea manín pa’ sonar
Yo soy Héctor Lavoe, el picón de Pacheco
El dueño de esta vaina, cachando to’ lo’ fresco’

Prendo el jet privado y lo’ dejo a to’ macándose
Ella se soñó conmigo en el avión matándose
Ah-ah-ah (Lo’ piloto’), ah-ah-ah (Están moviendo el avión)

[Refrán: El Alfa]
Tú escupiste pa’ arriba y te cayó en el cerebro
To’ el mundo quería sonar contigo, ahora tú con ello’
(Tú escupiste pa’ arriba y te cayó en el cerebro
To’ el mundo quería sonar contigo, ahora tú con ello’)
To’ lo que me pongo e’ del kilombo
To’ lo que me pongo e’ del kilombo

[Pre-Coro: El Alfa]
Que nadie publique lo’ video’ a donde estoy
Pa’ que no llegue el DICRIM y se lleve lo’ bad boy’
(Que nadie publique lo’ video’ a donde estoy
Pa’ que no llegue el DICRIM y se lleve lo’ bad boy’)

[Coro: El Alfa & Luar La L]
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy
Pa’ la’ mala’-mala’-mala’.mala’ (Yeah, yeah, yo’)
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy (Oye)
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy (***)
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy (*** mala)
Pa’ la’ mala’-mala’-mala’-mala’ (Tre’ Letra’, ¿qué?)

[Puente: Luar La L]
Hoy voy pa’ la disco, quiero ver romo
Rolls Royce, si lo ves frenando ya sabe’ que son lo’ bad boy’
Oye, ¿tú sabe’ quien son lo’ bad boy’?

[Verso 2: Luar La L]
Yo-Yo-Yo ‘toy pichando resta pa’ que lo’ aten, llama si estoy
No me faltan uno’ 23 quinto’, voy a hacerme el Floyd
Cuando piso en pintura mi closet parece a blanco
No sé si vestirme rojo sangre van con to’ lo’ falso’
Yo estoy fundido, y en una bala quiere que detone sumergido
Por debajo ‘el agua sin que la mencione, estamo’ frío’
Que le pague el blow entre la’ extensione’ e’ su marido
Que eso le toca a él
Los riso’ te despeluzo, te entro agua como un buzo
Infiltra’o como un intruso
Acapella, lo tuyo nunca lo uso
Si te la echo adentro, no aviso y me excuso (Voy-voy-voy, ¿qué?)

[Puente: Luar La L]
Voy-Voy pa’ la disco, quiero ver romo (Jeje)
Rolls Royce, si lo ves frenando ya sabe’ que son lo’ bad boy’
Oye, ¿tú sabe’ quien son lo’ bad boy’? (***, ¿qué?)

[Coro: El Alfa, Luar La L & Jezzy]
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy (Tre’ Letra’, eh)
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy (Jezzy, el chef de los verso’)
Pa’ la’ mala’-mala’-mala’-mala’ (Yeah, yeah, yo’)

[Verso 3: Jezzy]
Me desaparezco, número uno aparezco
No e’ que ‘toy sobrepeso, que puesto tengo un chaleco
Esto e’ pa’ que lo bailen la’ muñeca’ y lo’ muñeco’
El primero que invirtió fue la tabla y se lo agradezco
Y de abajo, y hay gente má’ pa’ abajo
Que son mi’ enemiguito’ y me pusieron un trabajo
La vecina se sigue quejando ‘el bajo
De la fuma, de la hierba, de la bulla y del relajo
Roncando fuera de mi casa, me frenó el ***
Yo lo estaba haciendo guilla’o, parece que me chivatean
‘Taban ripiando una libra que lo’ muchacho’ me pasan
Cuando me embale pa’ dentro, casi me desbaratan
Bloque Villa Agrico, la calambre como prieto
Lo’ coso’ lo’ clavamo’ en la caja de lo’ retro’
Free ***, haciendo tiempo por un secuestro
Montamo’ una ruta fría pa’ villarme ya en el metro
Lo siento, no te puedo dar cuento
Namá’ soy feliz cuando lo tengo adentro
No he firma’o con nadie, son mío’ to’ mi’ porciento’
Y no e’ que El Alfa sare, que no tienen talento

[Coro: El Alfa]
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy
Pa’ la’ mala’-mala’-mala’-mala’ (Yeah, yeah, yo’)
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy
Pa’ la’ mala’ un playboy, pa’ lo’ greti un bad boy
Pa’ la’ mala’-mala’-mala’ (Yeah, yeah, yo’)

[Outro: El Alfa]
(Ustede’ nunca maduraron ni a puya’ ni carburo
Pu-Pu-Puya’ ni carburo, pu-puya’ ni carburo
Ustede’ nunca maduraron ni a puya’ ni carburo
Pu-Pu-Puya’ ni carburo, pu-puya’ ni carburo)
Ustede’ nunca maduraron ni a puya’ ni carburo
Por eso se quedaron siendo duro’

[Intro: Luar La L & El Alfa]
This introduction sets the stage for the song, embodying a sense of assertive swagger. Luar La L and El Alfa establish their identity with confidence, insinuating their experience and dominance. They proclaim eighteen years of control, implying a mastery over their environment. By warning against disregarding their capabilities and intelligence, they assert their prowess and cunning. The mention of “tre letra” suggests a reference to their lyrical skill and street smarts, setting the tone for the narrative that follows.

[Coro: El Alfa]
The chorus serves as a recurring mantra throughout the song, reinforcing the dichotomy of their personas. They declare themselves as “playboys” in adverse situations and “bad boys” when confronted with challenges or opportunities. This repetition highlights their adaptability and versatility, presenting a façade of sophistication in one moment and toughness in another. The catchy repetition of the phrase underscores their self-assuredness and emphasizes their readiness to navigate different contexts.

[Pre-Coro: El Alfa]
In this pre-chorus, El Alfa paints a vivid picture of contrasting scenes, symbolizing the complexity of their lifestyle. Men head to the Caribbean, implying indulgence and luxury, while women visit the gynecologist, suggesting a more mundane aspect of life. The mention of “DICRIM” and avoiding public exposure indicates a desire to maintain a low profile amidst potential legal scrutiny. It underscores their awareness of the consequences of their actions and the need to protect their reputation.

[Coro: El Alfa]
This chorus repetition reinforces the central theme of duality in their identity, iterating the concept of being playboys and bad boys depending on the circumstances. The repetition, coupled with vocal variations from El Alfa and Luar La L, adds layers to the declaration, amplifying its impact and emphasizing their adaptability in navigating various situations with ease.

[Verso 1: El Alfa]
El Alfa’s verse delves deeper into their persona, revealing a confrontational attitude towards someone who underestimates them. He exudes confidence by likening himself to legendary figures like Héctor Lavoe, implying a position of influence and power. References to extravagant experiences, such as private jets, serve to elevate their status and prowess, further establishing their dominance in the narrative.

[Refrán: El Alfa]
This refrain reflects on the consequences of underestimating them, suggesting a reversal of fortune for those who once ignored them. El Alfa’s assertion that everything he touches turns chaotic implies a magnetic influence and power, reinforcing his dominance and control over his environment.

[Pre-Coro: El Alfa]
The repetition of the pre-chorus underscores the importance of discretion and secrecy in maintaining their image as “bad boys.” By reiterating the warning against filming or exposing their activities, El Alfa emphasizes the need to protect their reputation and avoid unwanted attention.

[Coro: El Alfa & Luar La L]
As the chorus repeats, the inclusion of Luar La L’s vocals adds depth and texture to the declaration of their dual identity. Their collaborative delivery reinforces the solidarity between the artists and amplifies the message of adaptability and resilience in the face of adversity.

[Puente: Luar La L]
Luar La L’s bridge serves as a moment of anticipation and celebration, expressing excitement about attending a club and flaunting their status symbolized by a Rolls Royce. It serves as a transitional passage, building momentum towards the subsequent verse.

[Verso 2: Luar La L]
Luar La L’s verse provides further insight into their lifestyle, detailing encounters with risk and danger. He portrays a sense of defiance and independence, refusing to conform to societal norms or expectations. Through vivid imagery and assertive language, he paints a picture of resilience and determination in the face of adversity.

[Puente: Luar La L]
The second bridge mirrors the first, reiterating Luar La L’s anticipation for the club and reinforcing their identity as “bad boys.” The repetition of the Rolls Royce motif underscores their commitment to presenting an image of wealth and status.

[Coro: El Alfa, Luar La L & Jezzy]
With the inclusion of Jezzy’s vocals, the chorus gains additional depth and intensity. The collaborative effort between the artists enhances the sense of camaraderie and solidarity, amplifying the message of adaptability and resilience.

[Verso 3: Jezzy]
Jezzy’s verse offers a gritty portrayal of their life in the streets, depicting encounters with law enforcement and rivals. Through vivid imagery and raw storytelling, he conveys a sense of danger and defiance, asserting his dominance and independence within the underworld.

[Coro: El Alfa]
The final repetition of the chorus reinforces the central theme of duality in their identity, underscoring their ability to navigate various situations with confidence and ease. The repetition, coupled with vocal variations from El Alfa, Luar La L, and Jezzy, adds a sense of closure and resolution to the song.

[Outro: El Alfa]
In the outro, El Alfa repeats a phrase suggesting a sense of superiority over those who have failed to mature or adapt. By contrasting their resilience with the perceived weakness of others, he reaffirms their dominance and status as “bad boys” in the narrative.

1. “Tú sabe’ quiene’ somo’, baby (¿Qué?)”
This phrase is an assertion of identity and confidence, suggesting that the speaker and their companions are well-known and significant figures. By addressing someone as “baby” and asking if they understand, they emphasize their authority and prominence, implying that their reputation precedes them.

2. “Tre’ Letra’”
The phrase “tre’ letra” likely refers to “three letters” in Spanish. In this context, it could symbolize a reference to their street smarts, wit, or skill in navigating their environment. It could also imply a code or language understood only by those familiar with their lifestyle and experiences.

3. “Dieciocho año’ controlando, voy de robo”
Here, the speaker boasts about their eighteen years of control, suggesting a long-standing dominance or influence in their environment. The phrase “voy de robo” could mean they are involved in theft or illicit activities, further establishing their street credibility and fearlessness.

4. “Tú ‘ta claro que dando cotorra soy un bobo”
This line suggests that despite the speaker’s outward appearance or behavior, they are not to be underestimated. The phrase “dando cotorra” could mean boasting or talking excessively, while “soy un bobo” implies that they are not foolish or naive, despite any appearances to the contrary.

5. “No me mire’ mucho que en la cara te la sobo”
Here, the speaker warns against scrutinizing them too closely, implying that they are not to be trifled with. The phrase “te la sobo” suggests a threat or warning, indicating that they are capable of causing harm or trouble if provoked.

6. “Te la apliqué y te robé lo’ truco’ de consumo”
This line conveys a sense of superiority and cunning. The speaker implies that they have outsmarted or deceived someone, stealing their tricks or secrets related to consumption, which could refer to anything from drug trade to street knowledge.

7. “Ustede’ nunca maduraron ni a puya’ ni carburo”
In the outro, the speaker dismisses others as immature or inexperienced, suggesting that they lack the resilience or toughness to survive in their world. The repetition of “puya’ ni carburo” reinforces this sentiment, implying that others have failed to develop the necessary qualities to thrive in their environment.