CNTNRS Lyrics by Night Skinny is a latest Italian song in the voice of Night Skinny. Its music too is composed by singer while brand new Cntnrs song lyrics are also written by Night Skinny. This is a popular song among the people of United States of America. “CNTNRS” by Night Skinny dives into the gritty reality of street life, showcasing the struggles and resilience of the rapper and his crew. He reflects on his upbringing, the challenges of the music industry, and the impact of drügs and crime. The lyrics convey a sense of loyalty to friends and family while also critiquing superficiality in the rap scene. With a mix of bravado and vulnerability, Skinny emphasizes his authenticity, past struggles, and determination to succeed despite the harsh environment. The track blends elements of pride, defiance, and the complexities of urban life.
CNTNRS Lyrics
[Intro]
Skinny, sei ancora fatto, eh
Non mi fare perdere tempo, fra, che non ti sento da una vita
Dove cazzo sei?
Sono nel blocco, fra, le strade hanno bisogno
Torna, torna Skinny, porta un po’ di quella merda in strada
Qua è tutto vuoto, non c’è nessuno
Fa un freddo del cazzo
Skinny, sei ancora fatto, esci fuori
Ve-ve-ve-vecchio lupo, nuovo pelo
Porta un po’ di merda, fra
[Strofa 1: Jake La Furia, Emis Killa]
Let’s go
La Furia è grossa, La Furia è fatso
In strada una certezza, fra, come il prezzo del pezzo
Se la gara è correre forse ci sta che perdo
Ma a fare le rime sono primo, secondo e terzo, yeah
L’industria non fa soldi senza rap
Ma in giro è pieno di rapper senza soldi, no cap
I miei fra sono cresciuti col fumo nelle FUBU
Perciò non credono a questi guru sulle Urus
Mi fanno schifo, giovani ricchi stendono e tirano
Io faccio il tifo per I maranza che li rapinano
Lotta sociale, ferro e coltello dei deliquenti
Fra, sono come la falce e il martello di questi tempi (Ah)
[Strofa 2: Emis Killa]
Ok, brotha
Per me è famiglia ‘sta gente di strada
Tengono in braccio mia figlia come imbracciare un kala’
Non fare il mala, ah
Non fare il mala, ah
Rendo Milano un inferno alla Beppe Sala, ah
Ferite in bocca, butterfly dentro gli astucci
Mio fra non la tocca, ma è pieno di g come Gucci
Sempre ACAB, fra, non parlo con gli agenti
In vita mia ho fatto denuncia solo quando ho perso I documenti
Bimbi smilzi sbagliano a darmi del vecchio
Sto più in forma di questi marmocchi sia sul beat che davanti allo specchio
Attorno al neck ho più catene di Mandela
Queste b!tch fanno la fila, io le pacco per un brother o per il Milan
[Strofa 3: Kid Yugi]
Ho le s-, ho le s-, ho le s-
Ho le spalle coperte da Gallipoli a Foggia
Faccio soldi dalla neve anche se porta pioggia
Ho un amico latitante, non si sa dove alloggia
3p Gang, Players Club, nuova loggia
Quando arriva il pieno il paese festeggia
Si tira le granate, nel cervello una scheggia
Danno l’erba e la coca che la prima è di passaggio
Arrivano in borghese, lo portano a passeggio
Non c’è competizione almeno qui nei paraggi
Finiscono in ginocchio, mai fatto un pareggio
La prima traccia a diciott’anni, vi ho dato vantaggio
Quando ne prendo troppa finisce che vaneggio
[Strofa 4: Tony Boy]
Quando ne prendo troppa finisce che vaneggio
Mi chiudo in cucina anche se sto in una reggia
Ho iniziato a drogarmi per darvi più vantaggio
Ho sempre vinto tutto, mai lasciato un pareggio
O-occhi rossi fuoco pure se è buio pesto
Sto sveglio diretto, arrivo in ufficio presto
Tutti intorno al piatto, c’è silenzio da messa
Faccio diventare la tua morte una festa
Prima solo contanti, adesso pago con il POS
Ca-canzoni d’amore con due albanesi in un Porsche
Prima di fare questo ero comunque un vero G.O.A.T
Tony Boy, Kid Yugi, presto apriremo una slot
[Strofa 5: Rasty Kilo]
Tono su tono, nero su nero
Pacchi su pacchi, euro su euro
Pezzi da venti, cinquanta e cento
Non parlo, resto zitto, a giudicarmi sarà Dio
Tuo figlio vende in strada, ce l’ho messo io
Entro da Rolex in tuta, mangio nigiri otoro tuna
Lei si sdraia nuda, sul culo gliela sdraio tutta
Dai pezzi agli etti, dagli etti ai chili
I soldi della droga, non della FIMI, che cazzo ridi
Ostriche e lobster, Daytona, Oyster, Flex, Paul Newman
Li spendo tutti, la vita è una
La testa fuma, le palle pure, tutte e due
Faccio quello che cazzo voglio dalle parti tue
[Strofa 6: Guè, Paky]
Cartier a corno di bue
Il mio flow rompe una costola, è un kolossal come Dune 2
Se fai il bravo farò il diplomatico, Juelz
Altrimenti te la scarico addosso da una Buell
Ti scoppierà la faccia come fa Kenshiro
Non sono un rapper, sono un superhero
Mica male le collane con cui vai in giro
Ma non fai dieci Forum di fila e un San Siro
Pu*sy tight, Osaka, ti sfiletto, orata
Questa glock non è pacco, è vera, è nera opaca
Ti sgamo, sei falso, un sensore ti rivela
Rapper, poi ti caghi addosso, pippi, Manny Ribera (Glory)
[Strofa 7: Paky]
2024, firmo un nuovo contratto
Sono ancora a Rozzano, ma tremila al metro quadro
Sai come funziona, lo compro e lo intesto a un altro
Non posso intestarmi un cazzo, fra, Paky vende sostanze
Stronzo, nuova posse track, se non ci paghi il crack
Ti affoghiamo sott’acqua come in Gomorra ‘O Track
Se parli di gangsta rap (??) accendi Shazam
T’insegno come si fa, vieni con me a Disneyland (Vieni)
Ti porto dove tutto è nato, dove abita il diavolo
Di sicuro ho venduto qualcosa anche a lui in passato
Non facciamo più risse, abbiamo I fucili d’assalto
Spariamo colpi in aria quando uno di noi esce assolto
[Strofa 8: Nerissima Serpe]
Eh occhiaie come un panda, il diavolo mi chiama
Bloccato dentro l’ambra
Appartengo come Ambra Angiolini
Questa strada, angioletti sulla bamba
Sta inseguendo la mia ombra, ma qua piove lava
[Strofa 9: Papa V]
Flow da Ferrari Purosangue
Due grammi nelle mutande
In casa di mia madre
In cameretta ho due ba*tarde
Faccio la cotoletta in strada, non nel letto
Tutto fatto non di gesso
Metto il cazzo dentro a un cesso
[Strofa 10: Nerissima Serpe]
Dentro al bangla
Facciamo la danza
Lei ha ingerito sette ovuli in pancia
Nel bong non ci va il fumo
Il mio volto è tutto azzurro
Dieci casse di gin liscio
Serve l’allegro chirurgo
Nerissima
[Strofa 11: Papa V]
Mi vesto come un uomo
Passeggio in piazza Duomo
Cinquantamila addosso
E non ho un cazzo sopra il polso
Mi sento che ora posso
Puttana sputa il rospo
Se pippi la manite
È normale ti caghi addosso
[Outro]
Brutti figli di puttana, carogne
Questo è il cazzo di contenitore
The Night Skinny, la merda è sotto pressione
Ve-ve-ve-vecchio lupo, nuova era
2024, 2025, Skinny is back
Le strada sono calde, cotte, auh
Night Skinny Songs
CNTNRS Lyrics Meaning
[Intro]
In the intro, the speaker is reaching out to Skinny, expressing frustration over not having heard from him in a long time. It feels like something is missing in the neighborhood, which is currently empty and cold. The speaker urges Skinny to come back and bring some energy to the streets, suggesting a need for his presence. The mention of a “vecchio lupo” (old wolf) implies that Skinny is experienced but also hints at a fresh start or change as he is called to return to the hustle.
[Strofa 1]
In the first verse, Jake La Furia talks about the harsh realities of street life, mentioning that while racing might lead to losing, he always comes out on top with his rhymes. He points out that the music industry thrives on rap, yet many rappers struggle financially. The rapper reflects on his friends growing up in tough environments, rejecting flashy lifestyles and fake gurus who don’t understand their struggles. He expresses solidarity with those who rebel against wealthy youth and acknowledges the social issues surrounding crime, likening himself to symbols of revolution like the hammer and sickle.
[Strofa 2]
Emis Killa emphasizes the importance of family and loyalty within his street community. He sees his friends as a second family, mentioning that they protect and care for each other deeply. He portrays himself as a force to be reckoned with in Milan, pushing against the city’s singerity. With a mix of bravado and wisdom, he asserts he’s still in shape and more relevant than younger rappers. He’s got more bling than a historic figure, Mandela, and has the attention of women, illustrating his confidence and status in both street life and the rap game.
[Strofa 3]
Kid Yugi talks about having strong connections and backing, referencing places across Italy and how he makes money through various means, even in adverse conditions. He highlights a friend who is elusive, hinting at the dangerous lifestyle they lead. The gang culture is apparent, as celebrations often turn violent, and he talks about drügs being traded. He sees himself as a top player with no competition nearby, suggesting that his experience and talent give him an edge over others, while he hints at moments of losing control due to substance use.
[Strofa 4]
Tony Boy expresses the struggle of dealing with substance use, which sometimes leaves him feeling disoriented. He mentions shutting himself away even in nice places, hinting that he uses drügs to cope and gain an edge in his life. His “fire-red eyes” signify the toll it takes on him, while he’s determined to rise early and stay ahead of the game. He describes the atmosphere when he’s working, comparing it to a solemn moment, and he’s unapologetic about making life-and-death situations feel celebratory. His shift from cash to card payments represents a change in lifestyle and perhaps a more mainstream acceptance of his past.
[Strofa 5]
In this verse, Rasty Kilo discusses the complexities of money and success. He uses phrases that describe his hustle, stacking cash in various denominations, while remaining silent about his actions, letting God be his judge. He mentions getting involved in street dealings, indicating how he’s influencing the younger generation. He portrays a luxurious lifestyle, mixing expensive tastes like sushi with street life, demonstrating a mix of both worlds. The line about drug money shows he’s unbothered by what others think, emphasizing his freedom to live life on his own terms.
[Strofa 6]
Guè and Paky dive into their lifestyles, emphasizing the power and confidence that comes with their reputation. Guè describes his rap style as impactful, almost like a blockbuster film. He contrasts his approach to those who don’t have the same presence, confidently asserting he’s not just a rapper, but a “superhero” in the scene. The mention of realness highlights his disdain for fakes, and he boasts about his weapons, suggesting he’s ready for anything. It’s a blend of bravado and a reminder that the rap game requires both skill and street credibility.
[Strofa 7]
Paky reflects on the future and business side of his life, noting a new contract while staying true to his roots in Rozzano. He talks about how he operates in the drug trade while cleverly maneuvering through legalities. His mention of potential violence if debts aren’t paid signifies the dangers of his world. He hints at wanting to share his experiences with others, offering a glimpse into his past where crime and survival were the norms. The imagery of firearms shows a shift in how they handle conflicts, suggesting they’ve grown from physical fights to more serious confrontations.
[Strofa 8]
Nerissima Serpe paints a vivid picture of feeling hunted and pressured. The reference to “occhiaie come un panda” suggests exhaustion or stress, possibly from living in a dangerous environment. He feels trapped, with the devil metaphorically calling him, hinting at inner struggles and the temptations that come with street life. The mention of rain as lava symbolizes the intense and harsh reality of his surroundings, portraying a dark and chaotic atmosphere.
[Strofa 9]
Papa V shares a raw, candid look into his life. He contrasts luxury, like a Ferrari, with a casual, almost careless attitude toward his surroundings. He implies that he’s living a double life, with personal struggles coexisting alongside a flashy exterior. He talks about preparing food on the streets, showing he’s grounded despite his status. The imagery suggests a rebellious spirit, doing what he wants regardless of societal norms or expectations.
[Strofa 10]
In this verse, Nerissima Serpe describes a chaotic and wild scene, hinting at drug use and reckless behavior. The reference to someone ingesting drügs shows a dangerous lifestyle, while the mention of his face being “azzurro” could imply a high or being out of it. He talks about needing medical help, suggesting the consequences of their choices are catching up with them. The overall vibe is one of partying and the chaotic nature of street life where fun and danger coexist.
[Strofa 11]
Papa V concludes with a statement of confidence, portraying himself as someone who knows his worth. He walks through a notable area with a sense of pride, showing off his wealth yet acknowledging he doesn’t need flashy accessories to feel powerful. His lines suggest he’s ready to face whatever comes his way, unbothered by others’ opinions. It captures the essence of someone who embraces their identity and is unapologetic about living life on their terms.
[Outro]
In the outro, the artist expresses frustration with those who judge or misunderstand his lifestyle. He asserts that he and his crew are back, feeling the intensity and pressure of their environment. The reference to being “under pressure” suggests a sense of urgency and determination to rise above the challenges they face. He looks ahead to the future, hinting at continued struggles and success, reaffirming their presence in the streets.
FAQs
Q. Who has sung CNTNRS song?
A. CNTNRS song is sung by Night Skinny.
Q. Who wrote CNTNRS lyrics?
A. CNTNRS lyrics are penned by Night Skinny.
Q. Who has given the music of CNTNRS song?
A. CNTNRS music is composed and produced by Night Skinny.
“This concludes the lyrics of CNTNRS” by Night Skinny. If you like this song please share it with your friends and family in USA. If you find any errors in it, please feel free to submit the correct version via the Contact Us section.