PRIMER DÍA Lyrics by Myke Towers is a latest Spanish song in the voice of Myke Towers. Its music too is composed by singer while brand new Primer DÍa song lyrics are also written by Myke Towers. This is a popular song among the people of United States of America. It is a provocative and explicit reggaetón track that revolves around themes of casual hookups and wild partying. The lyrics detail s*xual encounters, highlighting a confident and boastful tone as Myke describes intimate experiences without hesitation. There’s a playful yet raw energy throughout, with references to lavish lifestyles, luxury brands, and a carefree attitude toward relationships. The song also features catchy beats, making it a club anthem. Myke’s brash delivery and humorous lines contribute to the song’s bold, unapologetic vibe.
PRIMER DÍA Lyrics
[Letra de “PRIMER DÍA”]
[Intro: Myke Towers & Maldy]
Yo no soy fácil, pero te chupo el güevo el primer día
Jajajaja
Ah
¿Cómo así, mi amor?
Ran-can-can, ran-can-can-can
Ah
¿Pero aquí mismo tú dice’?
A fuego, ¿ah?
Jajajajaja
[Verso 1: De La Ghetto]
Te voy a poner a fumar Campeche (Campeche)
No bota humo, baby, pero bota leche (Bota leche)
¿Dónde quiero que yo te la eche?
Trágatela to’a y que te aproveche’
[Verso 2: Myke Towers]
Ah
A ella le gusta mamar sin usar las mano’
Pa’l que se meta mono’, tengo un peine ‘e banano
Las babie’ quieren banana, bo, aunque no sea verano
Tengo una domi que mamando se gano un Soberano
Ella siempre se lo lleva hasta la última
Se tiraba las misione’ en un Artima
La farándola, ahora ya no es una groupie, no
Tú ere’ flexible, demuestra que ere’ elástica
Esas nalgota’ son reale’, no son plástica’
Pa’ seducir los hombre’ tú tiene’ la táctia
Con diablona’ como tú no quiero vínculo’
Si no le dan bicho se pone problemática
Ella no fuma mucha, pero se mete rola’
Cuando me mama el bicho me chupa hasta las bola’
La vo’a llevar pa’ Santorini o pa’ Bora Bora
No es que se llama Débora, es que lo devora
[Verso 3: De La Ghetto & Myke Towers]
Te toca capotear porque no traje condone’
No me la muerda’, no haga’ que yo me encabrone
Me gusta el bellaqueo, que te sobe los pezone’
Jálame una paja chupándome los bolone’
En la calle Loíza, ella no sale del barrio
Si quiere se gana un hombre nuevo a diario
Con foto’ desnuda puede hacer un calendario
Tiene las teta’ igual que Alexandra Daddario
Dale pasto de La Perla, que quiero entrenarla
Esta putita, dale, vamo’ a someterla
Si te la traga’, no vaya’ a devolverla
Le-Le pongo Netflix, me la chingo en el Tesla
Ella se pone los taco’ y yo me pongo caco
Nos vamo’ a to’a la noche a bucear
La baby lo que quiere es pickear
Grabarla y que se vaya viral
ChuliGang
[Verso 4: Maldy]
Te dije que sin Maldy no hay perreo
Ellas chingan en los partie’, chingan en los bote’
Chingan en tu carro y dondequiera que se monten
Si no chicha, hay que llamar al 911
Ella se lo come y mañana no lo conoce
Tú ere’ una demonia, tú sí tiene’ historia
Si no te acuerda’, te refresco la memoria
Quiere que le cante la de “Es Un Secreto”
Llega sin panty, que yo canto victoria
Fuma, bebe y mama; mama, crece y traga
Dicen que ella es buena, pero tiene mala fama
En el capoteo pregunté cómo se llama
Pero con el cabeceo hizo que se me olvidara
Sale de vierne’ a marte’, con ese culo rompe
Por cada jangueo un jevo nuevo cada noche
Un combo de bellaca’, todita’ salen en munche
Sabe que ando con Myke y también que ando con Ponce
Ella rompe condone’ como cosa loca
De una en una yo se la eché en la boca
Cuando termina, me pregunta: “¿Qué es Plan B?”
Mai, se la clava y yo también
[Verso 5: Myke Towers & De La Ghetto]
Tussi, tussi, ella quiere tussi
Vamo’ a meterno’ sin traje ‘e baño al jacuzzi
Tú tiene’ bien mojada esa pu*sy
Pa’l que fantasmee, el extendo y la UZI
Los kilo’ de peri cruzando a la USA
Está conectá’ y ella es la que los eschufla
Bottega Veneta o Balmain las pantufla’
Tiene la Mercede’ G-Class, ni la usa
Sólido, sólido, yo le meto sólido
Ella tiene las nalga’ como que jugaba vóleibol
Tiene su calle, siempre corre por el código
Si era tuya, ahora es mía, así que sorry, bro (Otra masacre musical, homie)
[Puente: De La Ghetto & Myke Towers]
Ellas chingan en los partie’, chingan en los monte’
Chingan en lo’—
Ellas chingan en los monte’
Ellas chingan en los partie’, chingan en los monte’
Ellas chingan en los partie’, chingan en los monte’
Tiene ese bicho-bicho-bicho-bicho-bicho-bicho-bicho, en los monte’
Chingan en los partie’, en los monte’
Tiene en ese bicho, bicho, bucho
En los partie’, en los monte’
[Outro]
Ran-can-can, ran-can-can
So?
Ran-can-can, ran-can-can-can, qué cabrón
Ran-can-can, ran-can-can
Ran-can-can, ran-can-can-can, qué cabrón
Mera, DJ Ponce, pónselo a la nena
You know what time it is, homie
Dímelo, Myke
Jay Music
De La Geezy
Mmm
ChuliGang
Jaja
Pónselo a la nena
Translation
Myke Towers Songs
PRIMER DÍA Lyrics Meaning
[Intro]
In the intro, the speaker playfully talks about being tough to win over but still engaging in intimate actions right from the start. It’s a mix of teasing and humor, with a light, laid-back tone. There’s also a bit of banter, with the speaker asking questions, setting a carefree, fun atmosphere.
[Verso 1]
In this verse, the speaker uses metaphors to describe an intimate encounter. He compares the act of smoking to an explicit action, emphasizing pleasure. The speaker asks where his partner wants him to finish and encourages them to enjoy every part of the experience.
[Verso 2]
This verse elaborates on a woman’s preferences in intimate encounters, specifically her skill and confidence. The speaker highlights how she stands out by not conforming to expectations—using her flexibility and natural looks to seduce men. There’s also a boast about her ability to win an award for her intimate talents. The speaker mentions that she’s not just an ordinary groupie but has evolved past that. He describes how their relationship is purely physical, as the woman becomes upset if she doesn’t get what she wants. The verse continues to reference lavish vacation spots like Santorini and Bora Bora, emphasizing a luxurious lifestyle. The tone throughout remains playful and bold, showing off both confidence and humor.
[Verso 3]
This verse dives deeper into explicit details about an encounter without protection, with the speaker asking his partner not to be too rough. He describes liking intense physical affection and talks about different neighborhoods, like Loíza, emphasizing the woman’s street smarts and ability to attract new men every day. There’s a mention of her physical appearance, comparing her to the actress Alexandra Daddario, and discussing her social media appeal, suggesting she could create a nude photo calendar. The speaker talks about taking control during intimate moments, referencing expensive cars like a Tesla and a desire to film the act and make it viral. This verse shows the speaker’s admiration for the woman’s beauty and confidence, as well as his dominant attitude.
[Verso 4]
Here, the verse kicks off by referencing perreo, a style of reggaetón dancing, with the claim that Maldy’s presence is essential for a good time. The speaker describes how women have intimate encounters anywhere—at parties, on boats, or even in cars. He talks about how women often forget about their partners after a one-night stand and move on. There’s a playful attitude as the speaker calls the woman a “demonia,” noting that she’s had a wild past. He also reminisces about an earlier moment where they danced to “Es Un Secreto” and he celebrated victory when she arrived without underwear. The verse highlights a fast-paced lifestyle, with the woman partying from Friday to Tuesday, breaking hearts and living freely. The speaker also brags about how women in his circle are known for their wild behavior, causing chaos. This verse is packed with fun, energy, and the thrill of living life on the edge.
[Verso 5]
This verse is all about indulgence, with the woman asking for “tussi” (a recreational drug) and the speaker suggesting they enter the jacuzzi without swimsuits. The speaker comments on the woman’s physical readiness and uses violent imagery like guns to symbolize dominance and strength. He mentions her involvement in smuggling drügs and how connected she is in that world. The speaker also refers to luxury brands like Bottega Veneta and Balmain, showing the woman’s high-end taste. Her physical appearance is also highlighted, with a reference to her athletic body and ability to follow street codes. The verse ends with a confident statement that she now belongs to him, reinforcing the speaker’s dominance.
[Puente]
In the bridge, the speaker continues emphasizing the idea that women in this lifestyle have intimate encounters in a variety of settings, from parties to outdoor spaces. The repetition of this message highlights the carefree, adventurous attitude of these women. It’s a fun, rhythmic section that reinforces the party atmosphere and the wild nature of the encounters.
[Outro]
The outro wraps up the song with playful sounds and phrases, repeating “Ran-can-can,” which could be a fun, catchy rhythm to maintain the party vibe. The speaker shouts out the DJs and producers involved, giving a sense of collaboration and celebration, closing the song on a light-hearted and carefree note.
FAQs
Q. Who has sung PRIMER DÍA song?
A. PRIMER DÍA song is sung by Myke Towers.
Q. Who wrote PRIMER DÍA lyrics?
A. PRIMER DÍA lyrics are penned by Myke Towers.
Q. Who has given the music of PRIMER DÍA song?
A. PRIMER DÍA music is composed and produced by Myke Towers.
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