TITERES SIN CABEZA Lyrics (English Translation) by SAMULX, Leandro La Sapa is a latest Spanish song in the voices of SAMULX, Leandro La Sapa. Its music too is composed by singer while brand new Titeres Sin Cabeza song lyrics are also written by SAMULX, Leandro La Sapa. This is a popular song among the people of United States of America. Títeres Sin Cabeza by SAMULX and Leandro La Sapa is a fiery, unapologetic track filled with sharp lyrics and bold declarations. The song critiques superficiality, fake empowerment, and clout-chasing culture while flexing their dominance in the genre. It’s packed with vivid imagery, brash humor, and rebellious energy, calling out hypocrites and claiming the artists’ rightful place as trailblazers in the scene. With relentless confidence and biting commentary, the song delivers an unfiltered message for those “angry ones” and promises no puppet will be left standing, blending humor and raw confrontation.
TITERES SIN CABEZA (English Translation) Lyrics
[Intro: SAMULX, Leandro La Sapa & Aida Merlano]
You didn’t have a living room, you didn’t have a dining room
And I remind you that I explained to you how to monetize Instagram (Hahaha)
Shut your mouth (Zunga)
There are a lot of women out there talking about things that are not
Empowered s*it, haha
You know who we are
They forced us to do this, we didn’t want to
We’re back (What, what, what?)
[Chorus: SAMULX & Leandro La Sapa]
The people were asking for another piece
Hold on, this is just beginning
This is for the angry ones, they got lazy
And there won’t be a puppet with a head
The people were asking for another piece
Hold on, this is just beginning
This is for the angry ones, they got lazy
And there won’t be a puppet with a head
[Verse 1: SAMULX & Leandro La Sapa]
He was the best thing that ever happened to you, ey
You were with him, and it wasn’t for the nice thing
And in the kitchen where he ate for himself, there you ate his ass
If Yina Calderón likes to fight, it’s better to fight the doctor who performed the operation
There is no soldier so brave, not even in Call Of Duty
She is the reincarnation of the Chucky movie
Hey Colombia, you ruined the trap, millennial
You are the ugliest wh*re of the millennium
Your reaction tastes like s*it to me, put keratin on my d!ck hair
[Interlude: Leandro La Sapa & SAMULX]
Hello, hello? Hello? Hello, motherfu*ker
[Verse 2: SAMULX]
Fu*k you, the biggest wh*re on YouTube
You lied to your friends just for a couple of views
You s*it yourself from going to the fight, with reason, ba*tard, your wife is making fun of you
Man, you’re a worm and a slob, a jerk like the (??)
He lives off of comparing numbers from an audience of bots
He has a more broken ass than Chanty, who likes Travis, and not exactly Scott
[Interlude: Maria Isabel Villa]
Do you know something?
You can have a kilo of gold
But if you don’t have a kilo of humility, you have nothing
[Verse 3: Leandro La Sapa, Jilikat & WestCOL]
I want a kilo of coke
Kicking with Jili in Puerto Rico
Mm, daddy, how nice
Tell me, Kiko
Here smoking a little bar
[Chorus: SAMULX & Leandro La Sapa]
People were asking for another piece
Hold on, this is just beginning
This is for the b!tches that got lazy
And there won’t be a puppet left with a head
[Verse 4: Leandro La Sapa & SAMULX]
And for all the wh*res that are fu*king like Dalasreview
Like a mere crazy woman, a b!tch that talks too much
Who liked the colonoscopy
Judas, you fool, you fooled your people
You’re a farce, nobody copies you anymore
Faggot, motherfu*ker, suck my balls
Stop giving your opinion, I got a life of my own
B!tch, yellow flow DimeloKing
MrStiven got his ass kicked
A hottie since she was fourteen
Fu*k me, motherfu*ker, while I bill
And the rest of you motherfu*kers, I—
[Interlude: SAMULX & Leandro La Sapa]
Hey, hey, hey, now, now
Is it really already?
Leave it alone, do you understand?
I want to fu*k that b!tch, motherfu*ker
We already showed what we know how to do
Should I upload a second one, man?
Whatever people ask for
Adso, motherfu*ker
Hahaha
Hey, Carlos, get it yourself, you son of a b!tch
Are you going to steal this percentage too?
Hahaha
Hey, Anuel what?
That guy also got his ass stolen for being stupid, hahaha
(Hey, you know what? Since we’re fu*king)
(Drake, you’re s*it, oh)
[Outro: SAMULX, Leandro La Sapa & Ambos]
Samu, on the drums
The owners of the genre, the fu*king owners
If you think you’re an owner, you’re an idiot
Because the owners are Samuel and I in this s*it
Hey, Young Chamo and La Sapa
Yeah, Kim Jong-un, you’re going to suck my d!ck, motherfu*ker
Without SAMULX there’s no perreo
The owners of the genre
There won’t be a puppet with a head
Plum!
Plo-plo-plo-plo!
Prra, wow!
Ta-ta!
Haha
SAMULX Songs
TITERES SIN CABEZA (English Translation) Lyrics Meaning
[Intro]
The intro highlights a personal back-and-forth, exposing hypocrisy and material struggles while claiming credit for teaching someone how to succeed. It takes a dig at superficial empowerment and emphasizes the artists’ unwilling return to the scene, as if compelled by circumstances or demand. Their tone is mocking and confrontational, establishing their identity and setting up the song’s no-holds-barred attitude. The artists suggest they were pushed into this role and are now ready to reclaim their space with an unapologetic edge.
[Chorus]
The chorus addresses audience demand for new content and establishes the artists’ intent to deliver with force. It’s a rallying cry for those frustrated or disillusioned, calling out complacency and warning that no one will be spared criticism or accountability. The phrase “no puppet with a head” implies complete domination and dismantling of opponents, suggesting they’re here to upset norms and reclaim singerity in their genre.
[Verse 1]
This verse mixes personal attacks and societal criticism. The artists mock superficial relationships, likening some individuals to manipulative or parasitic figures. They take a jab at someone’s botched achievements, referencing public figures and mocking Colombia’s millennial culture for ruining trap music. The tone is biting and sarcastic, combining personal anecdotes with wider commentary on authenticity and the state of the music industry. It’s a mix of humor, shade, and social critique, emphasizing boldness over diplomacy.
[Interlude]
This brief interlude acts as a sarcastic acknowledgment of someone’s presence, but the tone is dismissive and mocking, maintaining the confrontational vibe.
[Verse 2]
The artists go on a rant about fake personas, accusing someone of dishonesty and chasing clout for attention. They ridicule the obsession with numbers and fake popularity while exposing the futility of such pursuits. The verse paints a vivid, unapologetic image of the shallowness they’re critiquing, dismissing pretenders in their space.
[Interlude]
This reflective moment emphasizes the importance of humility over material wealth, contrasting superficial success with deeper values. It’s a rare pause in an otherwise fiery track, adding a layer of introspection.
[Verse 3]
This verse is lighter in tone, reveling in indulgence and carefree moments. It paints a vivid picture of leisure, smoking, and relaxing in Puerto Rico, offering a contrast to the harsh criticisms elsewhere in the song. It’s a brief celebration of personal freedom and enjoyment.
[Chorus (Refrain)]
The repeated chorus reinforces the idea of starting strong and delivering what people asked for. It dismisses laziness and reiterates their commitment to disrupting the status quo, leaving no one unscathed in their critique.
[Verse 4]
Here, the artists continue their critique of individuals they perceive as fraudulent or hypocritical. They call out attention-seeking behavior, lack of originality, and betrayal of followers. The tone is intense, with personal insults intertwined with broader cultural criticism. The verse reflects their frustration with shallow attempts to gain fame and their determination to expose inauthenticity.
[Interlude]
This longer interlude blends humor, taunts, and defiance. It critiques individuals and systems, mocking those who exploit others or lack originality. The tone remains rebellious and self-assured, cementing their position as unshakable forces in the genre.
[Outro]
The outro is a declaration of dominance. The artists claim ownership of their genre, dismissing others as pretenders. They reinforce their unique contribution and position themselves as indispensable to the music scene. The playful yet aggressive delivery leaves no room for doubt about their confidence and creative power. The imagery and sounds (e.g., “Plum!” and “Ta-ta!”) emphasize energy and finality.
FAQs
Q. Who has sung TITERES SIN CABEZA (English Translation) song?
A. TITERES SIN CABEZA (English Translation) song is sung by SAMULX, Leandro La Sapa.
Q. Who wrote TITERES SIN CABEZA (English Translation) lyrics?
A. TITERES SIN CABEZA (English Translation) lyrics are penned by SAMULX, Leandro La Sapa.
Q. Who has given the music of TITERES SIN CABEZA (English Translation) song?
A. TITERES SIN CABEZA (English Translation) music is composed and produced by SAMULX, Leandro La Sapa.
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